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The nuns perform an opening prayer before their performance at Roussell
Hall, Loyola University. The hats worn here are distinctive to Tibetan
nuns. |
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Three standing nuns perform a ritual purification ceremony offered to
all the Gurus, the Buddha, Dharma and Sangha. This ritual bath purifies
negative karma and delusions for the participants and all sentient beings. |
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Costumed dance accompanied by long horns and percussion instruments.
The masked dancers in this picture perform the dance of Buddha Manjushri,
the one who embodies the enlightened wisdom of all the Buddhas. |
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Four masked nuns enact the dance of the Bodhisattvas a dance expressing
their activities of benefiting sentient beings. |
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A nun portrays Milarepa (1052-1135), a Tibetan poet and saint who
transmitted esoteric teachings. |
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The ascetic Milarepa seated next to a deer which points to his austere
life style. The deer was fleeing a hunter and his hound and Milarepa calms
the deer. |
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Milarepa, seated between the deer and the hound, bestows a blessing
upon the hunter who had tried to kill the deer and then Milarepa himself,
but now has been won over by his teaching. |
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Tibetan horn players lead the dance of the Dakinis. |
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The Dakini dance in progress. In ceremonial robes the nuns wear a
ritual headdress which bear a caligraphic script known as 'Lantsa'. |
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The Dakini dance in progress. Wearing their ceremonial robes the nuns
hold ceremonial bell symbolizing wisdom and a ceremonial sceptre (vajra)
symbolizing the fundamental unity of all things. |
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Two masked dancers represent the battle of good and evil. |
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The dance of the battle of good and evil. A dancer's mask helps her to
portray a deity who is understood to take residence in her body during the
ceremony. |
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A dancer representing a fierce deity which represents evil. |
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Nuns in monastic robes chant a ceremonial prayer. |
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Nuns perform prayers of dedication before a completed sand mandala
which rests in the Danna Center Gallery of Loyola University just before
its final dissolution. |
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Nuns collect the colored sand for dispersal. |
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Nuns carefully remove the last traces of colored sand from the tracing
board. Each grain has been made sacred through its association with the
mandalas construction. |
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Nuns perform the concluding rites for dissolving the sand mandala as
they prepare to transport the sand out of the gallery. |
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Nuns conclude the dissolution ritual next to the altar which has
been set up in the gallery. |
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Preparing to process from the gallery to Audobon Park. |
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Two horn players lead the bearer of the sand casket through Loyola's
campus. |
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The nuns begin the procession from the gallery. |
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Nuns and onlookers cross St. Charles Ave. to enter
Audubon Park. |
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Nuns play horns as they walk to the lagoon in Audubon Park. |
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Heading to the lagoon along the bike path. |
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Sounding symbols as the sands are released into the water. |
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Onlookers stand in silence as the nuns chant a prayer for the
well being of their host community. |